back again we have the mediterranean flavor of the friends affkt and alberto sola. always experimenting with different ingredients like the cooker ferran adria, the guys who laid the first stone of the legendary label barraca, now present a hybrid of pop and house which will leave no one indifferent. ‘pobla loves you’ was born with the tuba of alberto cuartero, orchestra director of hoya gonzalo in albacete. marc and alberto (affkt and sola) wanted to have a typical instrument of a band and merged it with the electronic dance scene, always being faithful to his maxim of making music to dance as well as to listen. if we surround valencia, road to pobla de farnals, we passed through la canada. there are los updates, who upon hearing the organic rhythm of pobla and the work with the wind instruments, set to work with the voices. perfectly adapted to the capital of the turia river, jorge and loreto propose a valencian poem that their children have learned at school. the moon of valencia then join our dinner for four. finally, we add to our paella a bit of percussion and keyboards made in affkt, to get a main course and obtain a typical valencian plate but by adding a little chilean salt becomes international. more oriented to the dance floor, there are three rather different remixes. new union between spain and chile, with danny fiddo and felipe venegas. this couple present an elegant and deep remix with drums and vocals perfectly adapted to the current sound. moreover, the french man darlyn vlys re-interpreted >pobla loves you< with a lot of groove and percussion added. finally, affkt gives his funker version of events to complete a job that will come out by the german label international freakshow

h-productions has cultivated a reputation over the last two decades for consistently delivering cutting edge material across a diverse range of styles.
the titling for the second single taken from cari lekebuschs forthcoming album >state of the art<, continues in the horror tinged theme opening with the epic >bodysnatcher<, a nine and a half minute odyssey into the outer realms of rolling, glitchy techno. tight percussion and deep end bass set the tone for a fervent mix of resonant and modulated riffs and fx, exquisitely produced and deftly mixed this is another great example of lekebusch at his best.
the flipside of this release brings us the excellent >shivering<, a heady blend of oscillating bass and relentless synth lines over minimal drum patterns that has you hooked from the off. this is a big record that is bound to find favour with techno jocks and house djs alike with its perfect balance of dark and light.

first on decks.de !!! rhythmetic #15 is taking things back to the way they should be with tight funky percussion and locked in grooves. real house music for the heads

the perfect bridge from the classical us deep house sound and the actual european electronic avant-garde. following his release on earthrumental music aptly titled >high on percussion<, gummihz is back on real tone records with >basic elements vol.1<.

the solid tumbling tones found on this ep are all thats needed as an introduction to these two accomplished producers latest creation. both strong forces in their own right, the pair come together once again on sweatshop to present their vision of dancefloor harmony, and mystery! sirens is the aptly titled track whose crazy vibe is encapsulated by jacking, swinging percussion, wild pitching synth stabs and a haunting soprano soloist letting loose! this needs to be experienced to be believed, but the proof will be in the dancefloor, hands in the air and minds expanded! moirae works the tension with dense filtered stabs and crisp solid state percussion, driving this deep slab of dark dance into blissful moments of release. mellow yet urgent, its a raw, purist electronic statement! joel alter also offers up a special edit which focuses the groove in a slightly more kinetic direction, with reduced, aquatic synth work and a classic club energy that makes it an ideal addition to the package.

reference (planet e / echospace / beretta) consists of the detroit-based artists luke hess & brian kage. in the first reference vs project we squeezed some of the party out of seth troxler and some of the percussion expertise from ryan crosson to create the still sought after tracks >the fade< and >the bumps<. in the second installment of our reference vs series we wanted to get a bit more soulful, & deep with the music, and highlight two of the worlds finest dub techno artists - stephen hitchell (cv313) and marko furstenburg (surphase). stephen hitchell aka cv313 is first a sound engineer. his experiments with synthesis create a warm, ethereal, and organic analog sound all his own. in the reference vs projects we seek to extract the natural strengths of the artist. when we received the files from stephen we knew we were packing heat! we structured our zone around the life-like chord structure that cv313 so effortlessly creates and gave it some more dance floor flavor. we believe the track titled >the wake< will fill dance-floors over the summer months on the beach as well as in the clubs. what can we say. markos shuffled dub stab style has been in demand since the artist started releasing on thinner back in 2002. mr. fürstenbergs deep and emotional music is an extension of his character. we were happy to receive what we expected from marko, super percussive, cavernous, and soulful soundscapes. again we referenced the package out with some drones, new analog rhythms, and eureka. the zone continues relentlessly in >the swell< to carry the dancer through the night into another summer day in the sun

yore returns with the 3rd release on the yore limited series. 300 limited copies in green transparent vinyl. a beauty musically and for the eye. orlando b. favours the kind of funky and raw-sounding techno that flourished during the late-’90s and early-’00s and so naturally invests his maiden voyage on the yore imprint with the same kind of classic soul that renders that earlier era’s sound so appealing. ” beneath the surface ep ” largely focuses on warm house grooves. “a feeling” dishes out eight minutes of classic deep house that’s also as funky as hell. a subtle latin percussion vibe sneaks in at the beginning but quickly enough the tune rolls out a warm house strut that dominates thereafter, piano sprinkles, lush strings, and a crisp, hi-hat-spun groove give the tune added style and flair, as does the insistence of the titular vocal sample. “esoteric” digs into a steamy, bass-driven house beat that’s both raw and funky, then slathers it with a synth solo that squeals with delight, while “new york tale” smoothens its techno core with warm chords and delicious house swing. “mj12&#8243,,,, is the coolest and most techy cut on this diverse four cut ep. orlando b. sprinkling billowing dub chords and a spoken voice sample over a rock-solid tech-house base that will go straight under your skin, when it hits you on the dancefloor. 300 copies left still. go grab yours before it’s too late

it is no secret that the 1980s was probably one of the best decades. 1986 was in particular a very memorable and historic year across the world. it also happens to be the year delete was born and the name of the groove laden a-side. >1986< does not boast any sci-fi effects or other worldly sounds, it does however have one of the catchiest bass lines out there. >our generation< pours a real telltale chicago house vibe, complete with derrick carter style vocals and a bone-chillingly infectious four-note pad melody. this is eyes closed, hands in the air euphoric house. the 12 inch rounds out with delete still showcasing his knack for creating funky bass lines with, >lunchbox<. this number runs a bit deeper than the first two tracks, as it is rolled along by little percussion edits and snippets that evoke a more subtle laid-back vibe.

following the stunning and bestselling debut from das volt has taken the lna boys a little longer than expected, but boy was it worth the wait ! having forged a keen army of converts to their late night audio club nights & establishing a reputation as one of london’s best underground parties, it was only a matter of time before they started their own label to release the music they & their party people love to dance to. expect the finest in deep electronic house, balearic boogie and italo flavours, all expertly mastered onto luxurious vinyl with slick graphic artwork. toby tobias really needs no introduction, his productions have graced some of the worlds finest underground labels, and his debut lp on matt radioslave edwards rekids won unanimous praise. macasu is a solid dancefloor piece, layers of slick percussion, plenty of low end girth and enough of tobys trademark dubbed-out and lysergic track trickery to usher in the summers al fresco dancing perfectly. the mighty danilo plessow, otherwise known as motor city drum ensemble is at the top of his game right now, selling crazy units on his raw cuts series & almost single-handedly converting an army of minimalistas into disco darlings ! in his own words made for breezy summernights, open air, near the beach, beautiful people around you, and the dj spinning slow sexy jams like this. enjoy! a killer release folks, which won’t be around for long !

first on decks.de, the new kellerkind ep is out of this world. the original version of altro mondo is a refined club track with strong percussion, whilst the kruse & nuernberg remix transports you to mild summer nights. a trip to the other side to wrap it all up: the rollacoasta by vol-tek & kellerkind. supported by: dubfire, guy j, karotte, luna city, someone else, hugo, m. eyerer, tolga fidan, h.o.s.h., margaret dygas, matt star, patrick zigon, jürgen kirsch..

mabaan soul are back on metroline limited with their third release for the label. the talented italian duo have been causing a stir in the house and techno underground world with their 2009 release on metroline being charted by chicago legend dj sneak in his best of the year chart! on top of that, another house legend satoshi tomiie after hearing their debut new orleans ep on metroline limited, promptly asked the guys to release on his label saw recordings! the opening track joseph is jacking disco groove with an insistent bass hook and infectious lead synth. summer is nearly here! frankfurt, is a love song for the original robert johnson crew - the good people of frankfurt who really know what they’re dancing to. its an intense 5am grind that brings driving european warehouse techno together with the deep soulful grooves of detroit house. inxec and matt tolfrey pump up the midrange on their remix. they pick out a nice groove, and build on it with bright and airy percussion while maintaining the original disorientating shuffle and boomin low end. funky is definitely back. that rolling bassline keeps you locked in, and those brutal mpc-style percussion loops are would make marley marl proud.

dj support from loco dice, robert dietz, matt tolfrey, dubfire, deetron, paul ritch, anja schneider, slam, steve lawler, mr g, alex niggemann, x-press 2, brothers vibe, tini, martin landsky, nick curly,.. in four short years tsuba has become one of the uks most respected underground house labels with releases from some of the worlds most desirable producers. one of the key artists in the tsuba family is samuel thalmann aka okain. okain has had an impressive few years releasing for tsuba, quartz and jetaime and whilst not in the studio has kept up an intense touring schedule taking in dates at some of the worlds leading clubs. his latest release kicks off with title track >sleepwalking<, a superb slice of bumpin groove laden house with subtle vocal hooks and a spacey hypnotic vibe. next up is >scream<, a track which once again journeys into the realms of rock solid house, featuring a rollin bassline, loose jackin percussion and refined melodic elements.

full body workouts sixth installment arrives as the fresh effervescence of spring hits the northern hemisphere. once again, the get physical head honchos of dj t. and m.a.n.d.y., selected some of their favorite artists to be apart of the playground that introduces relatively new artists in the form of collaborations as well as solo material. spains wonder hit crew of coyu, uner & edu imbernon elbowed their way onto the international scene with coyu and edus mega bomb >el baile aleman<. a quick follow up with uner and coyus, >raw sweat< on diynamic solidified their legitimacy as three new producers to keep a look out for. >tres es three< is the first of what we hope will be a consistent run of tunes from this iberian trilogy of upcoming talents. it is no secret that leeds is one of the uks biggest party cities. two champions of leeds well-known afterhour enthusiasts - gavin herlihy & james barnsley - team up to deliver >right here<. if this one does not get you moving than your feet must be glued to the floor. unflappable percussion and a butter-like smooth synth workout, make this suitable for peak time and of course, the after-party.

afro, afro-house thats how we can describe the new joyful noise on qalomota records. always inluenced by afrobeat they bring us this masterpiece of rythim, percussion and sweat. a side: ouganda, big hit for the dan ce culture party house dancers, with crazy drums, perfect afro feeling, flutes and keyboards. b side: mombassa, more hypnotic between joe claussell prod. and ron trent and kanaly the perfect afro tools for dj. this 12inch is now played by rocco, jephté guillaume, greg gauthier.....they already ask us some more!

worship recordings with another solid ep release, this time featuring cuts from chris udoh and gary beck. udoh is up first with >hear da muzik<, a driving house gem with a definite dubby flavor, as delays are left to run over solid drum patterns, strong chords, and a rumbling bassline. on the reverse, gary beck keeps the dubby house theme rolling with >stick to the reggae<, which has more of a skank to its rhythm, as dubby delays are again left to exploit stellar percussion, stabbing horns, and a wandering bassline.

worship keep their string of great releases going with this newie from seinan. >glow< is a bouncing dubby houser of the first order, with a killer bassline underpinning great drums, stabbing horns and guitar riff, and the ever-present reggae vibe on this superb dub excursion. on the reverse, >dubberware< is another bubbling dubby house gem, this time with a bit more emphasis on the house than the dub, with superb percussion, shuffling beats, and dubby guitar licks all combining atop another dubbed out bassline.

1st on side a: big disco boogie re-edited, kicks off with guitar riff building up with female vocal, filtered breaks then comes into main vocal parts.
2nd tune on side a: summery disco with breezing feel, uptempo percussion intro, funky boogie riff into catchy horn section with leads synth… one for the beach session!
1st on side b: mighty disco edit. after the first break the tune really kicks into funky groove with strong female vocal with infectious chorus. keep your attention high!
2nd tune on side b: slowly build up track with big synth lead brings >oh baby< chorus, it holds groovy riff all the way through.

fans of burial mix and grayhound best listen up, cause the boys from succulent have come to mash up the hi-fi wit tha wicked dub, man. all three of their pieces use that unbelievably deep sub-bass that made their track on grayhound bug everyone out. pair that to masterful use of effects and proper ly placed samples of rasta mcs and you got that deep down, below the root line, damn its dark, kinda undaground dub shit that worship seem impossible to not do right. then the masters at the dub-house sound, solomonic sound, rework >freshly< into a sub-aquatic fun house of dubbedout bass wicked percussion all wrapped in spacey sounds. big, fat & totally necessary for any self respecting dub/house dj.

alex agore returns with four tracks of abyss-deep, groove-laden house that touches disco-fied detroit jack, jazz and dub-inflicted tech. agore has made name in a short period of time with his classic tracks with warm chords (think rick wade, moodymann), deep basslines and pumping percussion. four banging strong house cuts that will be in your dj-box all summer long. 4lux delivers another quality release!

akin to deconstruction itself, >the gift< symbolised the credible mid 90s dance hit. surrounded by a fog of cheap commercial fodder, way out wests roberta flack-sampling crossover anthem shone like a beacon, reaching the top 15 of the uk singles chart in 1996.
kicking off the new package is way out wests own 2010 remix. toughening up the original break based drums and adding a few new synth lines is all wow needed to do to breath a second life in their ubiquitous track.
gui borattos remix takes the track into deep tech house territory. gui flips the track to a straight 4/4 beat, adding some organic percussion, side chained chords and his trademark warm distorted synths to create a truly euphoric groove.

we finally did it: we proudly present to you our very first vinyl by none other than mr. sean oneil aka someone else, the mastermind behind foundsound records! known for his awesome releases on various labels and for filling dancefloors all over the world, he delivers a cool club track called >zebra talk<. driven by a heavy, minimal beat, this track offers freaky vocal lines, spooky breaks and enough tension to keep the crowd moving. we also provide you with some great remixes: the first one by miskate is a more deconstructed approach to the original track, featuring loads of percussion and neatly arranged breaks, surrounded by massive reverb. the second remix is by the argentinian producer omar salgado. a groovy new bassline and full of deep variation, this moves the track into a different direction.

guillaume coutu dumont has been unstoppable over the past three years. since releasing his debut album, face a l est, on montreals musique risquÚe label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquee, oslo, cocoon and many more. he has also kept up a nonstop touring schedule, wowing crowds the world over with a dynamic live show that never sounds the same twice. throughout, he has developed one of the most distinctive styles in contemporary house music-a deep, powerful and original fusion of afro-latin percussion, instrumental melodies, soulful vocals, and intricate rhythm programming. now, with his new album breaking the fourth wall, he takes another big step forward.

excellent brasil calimba influences rhythm structures

>all i need< kicks off with female vocal chat on housey beats, in the middle you hear more of heavenly vocal – slow minimal filter house stylee. side b, >got to see her< presents party minimal disco style, marvin gaye-ish vocal line comes in middle with killer electric piano code. >hurt me< starts with killer funky bassline, groovy percussion & clap. theo parish esque flavour makes this track stands out when you play just before peak time on the dancefloor! simply winner.

tattoo man is the new rock,disco,indie track from faze action,after playing tattoo man at recent electrifying live shows,they decided to take the whole band in to the recording studios with nathan curran aka tugg on drums,rob lee on bass, pete z on keys (who has also played for the likes of rub n tugg and dj harvey) simon lee congas and percussion, mary moore on vocals and rob lee on guitar.

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

wow... keith worthy is coming with some deep juicy detroit tracks! slower paced as we ve heard from him, but drenched in this intense sound that only american pressing plants seems to generate. beautiful strings are layered on the metalic basslines and tight machine percussion. both rockit science and now thats house are equaly well executed house tracks that are essential for every serious house and techno lover!

bear newcomer roberto auser has his debut album inbound on bearfunk. whilst we prepare for that gem to drop roberto has teamed up with fellow dutchman alden tyrell for their disco house hybrid blondes and brunettes. alden has had a series of fine releases on the clone and moustache labels, here he fuses his accomplished style with the electronic wizardry of roberto. each of them contributes a spanking remix. alden is tasked with dancefloor operations and he duly delivers with his 4/4 drums, rolling analog basslines and main room swing. roberto goes for the bar mix which tones down the swank but adds in slick percussion and analog stabs for a early set highlight. label chief bear stevie kotey contributes his own version. this time around the real drums and bass guitars have been sidelined in favour of linntastic drum programming and sequenced synth lines. the roberto auser album secret carnaval is out on bearfunk in spring 2010

the in the box e.p. is a fine example of niedermeier & whiteheads no-nonsense style, combining melodic, muscular grooves with deep basses and balearic percussion, the e.p. is a slice of raw tech and deep house class. with a relentless funky beat, in the box pays homage to classic tech-house form whilst maintaining a tracky musical edge that highlights the pairs dj background. with their penchant for diversity, short fuse is something truly unique, quirky pads and filtered fx gives this track a deep house vibe whilst a smoky lead ensures the techy theme is maintained. tales of old has all the essences of modern deep techno, it rolls along with a straightforward beat and a clean unpretentious production flavour. the simple vocal stabs and smooth fx hits are driven along by a wonderfully deep timpani that shakes some air but never interferes with the warm, round sub bass pining the groove together. lastly is out of place, a deep grooving track with an aggressive manner. through a series of dynamic peaks and troughs, technoid percussion and funky vocal hits, this track provides an appropriate addition to this perfect release

here brothers vibe delivers a massive percussion explosion! totally underground and full of spicy beats, cuero para mi gente is just simply bangin!! 2010 repress !!!

deep & smooth soulful house from this talented producer! featured backstock !!!

a pair of bangin tribal cuts from brothers vibe on the first release on the mixx label. >conga terado< is all about the beats, with a solid kickdrum laying the foundation for some killer tribal beats and percussion. nothing else used here, its just bangin beats all the way. on the reverse, >slave to the rhythm< opens with a thudding kickdrum alongside some filtered synths and a stabbing vocal before the tribal gear comes into play. again, no bassline here, just layer upon layer of percussion and drums. should be perfect for the pro jocks amongst you to tool around with.
attention! low pressing quality - crackling sounds!

after releasing on labels like tuning spork ( as bunkers with signor andreoni), contexterrior ( with andrea ferlin) and on popof s form, alessio mereu returns with dissolved in the black on his new label amam . it includes 4 techno-techhouse tracks expressing a softer style in respect to his preceding productions without abandoning the techno groove enriched with vocals, real percussion and dark obscure synths. on top of it the release is made more precious by the remix of jay haze that presents a dark, slow, deep and intense track.

blimey! we thought we had fallen into a wormhole and woken up in 92! 2020 soundsystems enduring lp favourite and one of the live shows highlights gets put through the downtown ny meat-grinder by tbd. brought on board as prospective remixers after last years immense all ears distributed >what is this< the tbd duo have taken this one on a three-day bender across the big apple! sleep deprived and pounded into submission by unrelenting kick drums and dustbin lid percussion, not to mention enough growling synth action to satisfy the hungriest of addled brains, the two mixes barely made it back home to leeds alive! you have been warned!

second part, incl jay haze rmx! after releasing on labels like tuning spork ( as bunkers with signor andreoni), contexterrior ( with andrea ferlin) and on popof s form, alessio mereu returns with dissolved in the black on his new label amam . it includes 4 techno-techhouse tracks expressing a softer style in respect to his preceding productions without abandoning the techno groove enriched with vocals, real percussion and dark obscure synths. on top of it the release is made more precious by the remix of jay haze that presents a dark, slow, deep and intense track.

andrade is the fresh faced insurgent whos been pulling at the hearts and ears of listeners ever since his debut release on the french label time has changed last year. now, in only a short time the young man has built his sound so that it captured the attention of steve bugs dessous imprint. the pumping, disco storm that is face de bouc is like taking a ride down the street into funkytown centre! lazy, swinging beats underpin a monster baseline track that lifts and builds as hot horns and cosmic elements become intwined in the mysterious narration. fellow french power player d julz remixes‚..de bouc in his typical upfront and hi quality style. urgent, dubbed fragments of party house phase in between flashing, energetic percussion. housemusic 2010. the tight grind of old rules is a perfect companion to these two monsters, then. operating on devious, dead funky sub levels its a tight and modern take on stab laden house classicism.

a little house in the deep blue sea: a perfect title for a tune, this track kicks off with a subtle, tribal groove, claps and deep chords then take the listener into the deepness. hypnotic, sweet and elegant music for the late night movers on the dancefloor. b1. thank you for listening: new york meets frankfurt on main with this tasty tech-house tune. a pounding bass drum combined with japanese vocal snippets, spooky strings and mills like percussion drive this tune on and into the peak time dancefloors. a must play for all lovers of the new school house movement. b2. for the moment: a slow mo tribal electro tune perfect for the morning after the night before. a tune made for all space night lovers and dreamers.

kurbits 004 marks the return of dan andrei who brings the romanian dirt with two dusty, percussive techno tools. first out on the label side is ramble on, an old school house rhythm. driven by a shaker in a jacking groove and topped off with a rambling vocal about nothing at all, because after all these vocals about >house music<, whats left to say? just put the track on and get the groove on! four sticks on the info side is a straight up techno banger built on a rolling house groove. no funny business, just a sublime percussion workout with little but essential hints of melody to let you catch your breath, then straight back to the groove! we sincerely hope youll have as much pleasure with these tracks as we are. well be back soon with new and exciting rhythms. happy mixing!

san proper stlyin like only he can... tip! good starts deserve likewise follow-ups. after a daring, but nonetheless vigorous start from the freshly formed dekmantel label thanks to israeli duo juju & jordash and their stunning and much praised self titled album, next up is amsterdams very own musical wolverine: mister san proper. you might have come across sans name recently. after coming, seeing and concurring the dutch lowlands san is on the eve of a definitive international breakthrough. with releases on world-wide acclaimed labels like rush hour and perlon his dazzling hand-jammed percussion, vintage synths and instruments- one - only - stubbles - upon - when - discovering - deserted - jungles now found their way to the dekmantel label – sans home bass.

resident nick höppner returns with his third release for ostgut ton. after last years >makeover< come three new detailed excursions, plus a remix by lee jones. almost entirely constructed from field recordings taken within the walls of berghain, >brush me down< is a raw and textural jam, uncontrived and jostling with energy. jittery, shuffling and shaking, höppners love for funky, off-kilter percussion shines through as he pieces together a mysterious audio puzzle of found atmospherics, club nights and concerts otherwise committed only to memory yet now preserved and recycled. it also is a hint at what is to be expected from ostgut tons 5 years anniversary compilation this autumn.

following up the dancefloor smasher that was i thought inside out, deadmau5 and chris lake join forces once again to bring you i said. the original mix is all about the killer, heads down groove, dirty tom led drums provide a perfect base for the jittery percussion, deep bass and bleeping synths, which all push into breakdown of epic proportions

prepare to enter the sombrero galaxy. journey to the centre of the sun, the debut release from lovefingers highly anticipated imprint esp institute, is a collaborative effort from londoner jonny nash (discosession) and dutchman tako reyenga. the two met years ago whilst jonny was working and living in tokyo and tako made his way over to dj. around the same time, lovefingers linked up with these two and a musical family had formed. that being told, its only natural for sombrero galaxy to find its home and represent the face of the esp insitute. journey to the centre of the sun is a dive into a moody, visceral and ethereal headspace brought to life through shimmering synthesizers, swirling guitars and a chugging bassline coupled with live percussion, clearly setting the bar higher than the bulk of contemporary electronic music. on the b side, the stallions (lovefingers and lee douglas) reinterpret the track with optimism, nicely complimenting the original with a light and cloudy yet driving house version. this is the music of dreams, keep an eye on esp institute in this new decade.

played by karotte & sven vÄth at timewarp 2010!!! chris wood & meat return from their splash on kindische for another electric package, this time on murmur with backdown ep complete with sascha dive remix. backdown is a truly head-turning release – setting up three takes on one track touching on high-end percussion, brass instrument led melodies and the voiced enquiry – do you want it? this package comes with a dub version and sascha dive remix, each accentuating their own unique take on the original. the original melts with a sumptuous hook within a low end bassline before dropping into a restless trumpet fanfare. sascha dive puts a warm and driving house spin on the track, preparing it for those early moments on the dancefloor whilst the dub is the quirky and more looming take on the original one to keep the bodies moving.

hit the streets slams in from the start with a confident kick drum, using a collection of layered percussive elements and drums (check that cowbell) to create a solid groove. seductive vocal snippets give the track a focus throughout, whilst fritter artfully introduces fresh elements until its resolution. building chords, open hi-hats and a ripping old-school melody reminiscent of warehouse 303s keep boredom at bay. bonza. ridgee didgee steadily courses through deeper realms, again with that killer percussion. here not one but a variety of freaky vocals and playful samples co-habit a densely layered habitat of groove. feral elements are backed up by a driving aboriginal bassline, relentless til a brief half-time reprise. a limited 200 white vinyls are available.

sabo & uriel follow up on their successful solsel006 as sabo continues to move away from his tropicalia trip into some heavier vibes.
>happy gospel< twists the classic gospel tune >oh happy day< into a dubby tech house affair that has been tearing up dancefloors for months.
>happy dub< takes out the vocal and adds more percussion and effects.
>mi tierra< is a latin house bomb, with mad percussion, live bass, and funky flute solo.
>promesas< is afro breakbeat remix of the los monos track, with nods to tony allen, and deep dubby bass.

nice price deal !!! expanding on the success of forward strategy group, label boss smear has fashioned the new minimalist outfit, retail & leisure, with a new addition of the fsg corporate family. retail & leisure is in many ways the polar opposite of fsg, ditching their trademark dense, heavy techno in favour of simplicity, space and a more systematic approach to composition. side a strips right down to the bare essentials, leaving little more than an ice-cold rhythm, bleep and hiss, creating a deep mix-tool for fans of artists such as mika vainio and sleeparchive. the b side features a remix by fsgs latest recruit adrian ross. mechanical scrapes and clangs mesh with deep, pressing kicks to create a sound which is dense and impenetrable. ross is a unique entity in techno: with a genuine outsiders take on the genre, he is an exciting prospect and a great asset to the group. the final track is r&ls take on dubstep, with dry, chalky percussion, discordant siren and churning bass. snares spin, shuffle and shatter against the tracks main, oppressive rhythms. the record ends with some valuable advice on where one should position ones feet

our latest release comes from the raising talent and fellow swede, axel boman. axel released ourvisions best selling track >arcimboldo< in 2008, which got hammered by many big djs around the world. after this release a package of >arcimboldo< will come with remixes of the track from some of our favourite producers. first out on the a side is >brass fanatic<, a simple, raw and groovy track with a catchy vocal and acid bass. starting with >sell your soul< on the b side, axel squeezes in a looped bass and phased guitars which brings a nice summer feling to the track. last on the ep is >welcome to bomtown<, a detroit house track with looped percussion, soul vocal samples and hypnotic synths.

bristol-based kss black records are proud to present their second vinyl release:
a: holdtight ? blackstone ? holdtight make a welcome return with a rollicking slab of lo-fidelity sci-fi drum & bass. a steely backbone of percussion provides the skeleton to which a gut wrenching sub line and precision cyber-bleeps are built. full of atmospherics and stabs blackstone offers up a master class in layering grooves to capture the crowd. this one wont stop until it gets you!
aa: mute ? suspense ? the flip for this fine 12inch features the brothers mute, with a massive debut vinyl release! >suspense< has got skanker written all over it, reminiscent of the days grooverider was dropping adam fs seminal track >metropolis< on dub. modern production values are infused with the sweaty funk of 90?s dancefloor tech. heavily influenced by the sounds of photek and, more recently, break with technical drum programming and a bassline to trouble any bass bin as they looking backwards to move forward. you wont miss it when this tune drops.. bassface time! featuring on baileys 1xtra show several times last year this is not a tune to miss out on. both tracks have been receiving heavy support from bailey, lomax, survival & break.